{"id":35030,"date":"2022-04-28T15:46:45","date_gmt":"2022-04-28T14:46:45","guid":{"rendered":"https:\/\/www.botoxs.fr\/?post_type=evenement&#038;p=35030"},"modified":"2022-04-28T16:32:46","modified_gmt":"2022-04-28T15:32:46","slug":"rencontre-conference-avec-neringa-bumbliene","status":"publish","type":"evenement","link":"https:\/\/www.botoxs.fr\/en\/evenement\/rencontre-conference-avec-neringa-bumbliene\/","title":{"rendered":"Rencontre-conf\u00e9rence avec Neringa Bumblien\u00e9"},"content":{"rendered":"<p><strong>RENCONTRE-CONFERENCE AVEC NERINGA BUMBLIENE &#8211; RESIDENCE ACROSS#34<\/strong><\/p>\n<p>&#8220;<i>Curating in the Time of Crisis&#8221;<\/i><br \/>\nMardi 10 mai \u00e0 20h00 au Narcissio, 16 rue Parmentier \u00e0 Nice (tram Valrose)<br \/>\nEntr\u00e9e libre &#8211; en anglais<\/p>\n<p>Ces deux derni\u00e8res ann\u00e9es, l&#8217;un de mes plus grands projets curatoriaux a \u00e9t\u00e9 le pavillon lituanien de la 59e biennale de Venise, r\u00e9cemment inaugur\u00e9. Nous avons commenc\u00e9 \u00e0 y travailler d\u00e8s l&#8217;\u00e9t\u00e9 2020, juste apr\u00e8s que la premi\u00e8re vague de coronavirus se soit calm\u00e9e, et nous pr\u00e9parions l&#8217;ouverture en faisant face \u00e0 l&#8217;invasion russe brutale et injustifiable et \u00e0 la guerre en Ukraine. Je ne cesse de me demander ce que l&#8217;art peut faire dans le cadre d&#8217;une crise de si vaste ampleur. Peut-il contribuer \u00e0 rendre le monde meilleur ? Est-il vraiment capable d&#8217;imaginer et de proposer des solutions en dehors des espaces d&#8217;exposition d\u00e9di\u00e9s ? Peut-il \u00eatre d\u2019un quelconque secours, lorsque l&#8217;on se bat pour simplement survivre ?<br \/>\nAu fil de sa conf\u00e9rence, Neringa Bumblien\u0117 mettra en perspective ses r\u00e9cents projets en art contemporain, comme <a href=\"https:\/\/cac.lt\/en\/exhibition\/michael-rakowitz-sugrizimas\/\" target=\"_blank\" rel=\"noopener\">l\u2019exposition personnelle de Michael Rakowitz<\/a>, qui, en raison des restrictions li\u00e9es au coronavirus, a \u00e9t\u00e9 pr\u00e9par\u00e9e et install\u00e9e \u00e0 Vilnius sans la pr\u00e9sence de l&#8217;artiste, et de la conversation de fonds qu\u2019artiste et commissaire ont men\u00e9 pendant le processus. L&#8217;e<a href=\"https:\/\/www.galerijavartai.com\/exhibitions\/34-robertas-narkus-the-board\/\" target=\"_blank\" rel=\"noopener\">xposition personnelle de Robertas Narkus<\/a>, inaugur\u00e9e juste apr\u00e8s le premier pic pand\u00e9mique, s&#8217;est concentr\u00e9e sur la relation entre l&#8217;homme et l&#8217;objet, prenant d\u00e9sormais le pas sur la relation d&#8217;homme \u00e0 homme pr\u00e9c\u00e9demment dominante. Elle nous en r\u00e9v\u00e8lera \u00e9galement davantage sur <a href=\"https:\/\/www.e-flux.com\/announcements\/453771\/robertas-narkusgut-feeling\/\" target=\"_blank\" rel=\"noopener\">le pavillon lituanien \u00e0 la Biennale de Venise<\/a>.<\/p>\n<p>Image : Audrius Solominas.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>For the last couple of years one of my biggest curatorial projects was the Lithuanian Pavilion at the 59th Venice biennale. We started working on it in summer 2020, just after the first wave of coronavirus subsided, and were preparing for the opening\u00a0facing the brutal and unjustifiable Russian invasion and war in Ukraine. I keep asking myself what can art do in the time of such an overwhelming crisis? Can it help render the world into some better place? Is it really able to imagine and propose ways out outside of the exhibition room? Can it remain useful when one is struggling to survive?<br \/>\nDuring the curatorial talk Neringa Bumblien\u0117 will speak about her recent\u00a0contemporary art projects such as\u00a0a solo show by Michael Rakowitz, which due to coronavirus restrictions was prepared and installed in Vilnius without the artist being present and an in-depth conversation they had during the process. Followed by\u00a0a solo show by Robertas Narkus, opened just after the first coronavirus wave, which focused on human to object relation that substituted previously dominated human to human. And telling more about\u00a0the Lithuanian Pavilion at the Biennale di Venezia.<\/p>\n<p>Picture: Audrius Solominas.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ces deux derni\u00e8res ann\u00e9es, l&#8217;un de mes plus grands projets curatoriaux a \u00e9t\u00e9 le pavillon lituanien de la 59e biennale de Venise&#8230; \/ For the last couple of years one of my biggest curatorial projects was the Lithuanian Pavilion at the 59th Venice biennale&#8230;<\/p>\n","protected":false},"author":34,"featured_media":35032,"template":"","event-type":[32,33,34,77],"class_list":["post-35030","evenement","type-evenement","status-publish","has-post-thumbnail","hentry","type-conference","type-projection","type-rencontres","type-residence"],"acf":{"lieu":["166"],"datedebut":"2022-05-10","datefin":"2022-05-10","gallery":"","introduction":"","date_vernissage":"2022-05-10","type_vernissage":"Rencontre-conf\u00e9rence \u00e0 20h","infos_vernissage":"","press-kit":"","press-release":"","gallery-archive":"","lieu_debug":null},"_links":{"self":[{"href":"https:\/\/www.botoxs.fr\/en\/wp-json\/wp\/v2\/evenement\/35030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.botoxs.fr\/en\/wp-json\/wp\/v2\/evenement"}],"about":[{"href":"https:\/\/www.botoxs.fr\/en\/wp-json\/wp\/v2\/types\/evenement"}],"author":[{"embeddable":true,"href":"https:\/\/www.botoxs.fr\/en\/wp-json\/wp\/v2\/users\/34"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.botoxs.fr\/en\/wp-json\/wp\/v2\/media\/35032"}],"wp:attachment":[{"href":"https:\/\/www.botoxs.fr\/en\/wp-json\/wp\/v2\/media?parent=35030"}],"wp:term":[{"taxonomy":"type","embeddable":true,"href":"https:\/\/www.botoxs.fr\/en\/wp-json\/wp\/v2\/event-type?post=35030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}